Ulises maino biography of william
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Find classical music concert, opera, ballet and dance listings | Costume Designer
- Feb 20 mat, eve, 21, 22 mat, eve, 23 mat, 26 mat, 27 mat, eve, 28, Mar 01 mat, eveBirmingham Royal Ballet, Macfarlane, Teigen, Finn, Bintley
- Dutch National Opera and BalletWish listIdomeneo, re di CretaBehle, Molinari, El-Khashem, Wagner, Vrielink, Cherkaoui, Cummings, Dutch National Opera, Romero, Shiota, Nakazato, Bauer, Netherlands Chamber Orchestra, Chorus of Dutch National Opera
- Wish listDie Zauberflöte (The Magic Flute)Brining, Cohen, Cowan, Rundel
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The Frame Blog
Following upon Ivan Houghtons catalogue raisonné of frames connected with the Turner Bequest [1], he and Gerry Alabone have written an article updating their work on the frames associated with Turners paintings in the Tate and National Galleries, Understanding the framing of the Turner Bequest II [2].
JMW Turner (), Dido building Carthage, , hanging in the National Gallery, London, with Claude Gellée, Le Lorrain (/5?), Seaport with the embarkation of the Queen of Sheba,
Turners first bequest to the infant National Gallery had been a pair of his paintings, Dido building Carthage and The sun rising through vapour, which he required in the will made twenty years before his death should be hung alongside Claudes Seaport with the embarkation of the Queen of Sheba and Landscape with the marriage of Isaac & Rebecca. The hang was to be a posthumous battle of comparisons and the four paintings are displayed today in obedience to
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Director’s Choice – An 18th Century Gold Masterpiece By Otto Christian SahlerThe master chaser Johann Otto Christian Saler (Augsburg - Berlin ) was a portraitist, engraver and wax-modeller. Saler, or Sahler, made wax portraits of the Prussian and Russian royal families. He taught drawing at The Akademie in Berlin from "Hr. Otto Sahler, Wachsbossierer, u. Pastellmaler, lehret die Anfangsgünde im Zeichnen, w. in der Siropstr." according to the Prussian Adre-KalenderBerlin und Potsdam for He fryst vatten identified as the Johann Otto Sahler who made the kopia "auf Röthelart" (red chalk) after a head of Van Dyck in Dresden in However, this beautiful gold box clearly demonstrates Sahler’s background as modeller, in the exquisite cast scenes portrayed in the panels and as a master chaser in the number different tools used to achieve the vast array of textures and depth of the bas-relief. The perfection of the stippling, the softness of the sweeping trees and t