Gean moreno biography channel

  • Ros Gray: Planetarity.
  • Bio that the introbiles kind of but ah I think is what I wanna get channels of collecting you know to give um the collections some.
  • Join curator Gean Moreno, Director of the @KnightFDN Art + Research Center, for a virtual tour through "Hudinilson Jr.: Tension Zone," the.

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    Ernesto Oroza’s practice channels the tradition of Radical Architecture into his own analytical employment of contemporary object typologies and productive forces. In lieu of functioning within the realm of manufacturing, he produces and distributes speculative models and research through various publication methods, exhibitions, collaborative practices, documentaries, and unorthodox forays into more conventional modes of architecture, interior and object design. Oroza’s work has been presented at the Groninger Museum, The Netherlands; The Walker Arts Center, Minneapolis; LABoral Centro de Arte y Creación Industrial, Spain; Museum of Modern Art, New York; Montreal Museum of Fine Arts; Museo Rufino Tamayo, Mexico City; Institut de Cultura La Virreina, Barcelona; Documenta fifteen, Kassel. He has participated twice in the Saint-Etienne International Design Biennial, Saint-Etienne, France. Oroza has been awarded fellowships by Guggenheim Foundation, HARPO Foundation, and received the P

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    Gean Moreno and Ernesto Oroza: Drywood
    February 7 – March 28, 2013
    Opening Reception: Thursday, February 7, 2013, from 7 to 10pm

    Alejandra von Hartz Gallery is pleased to present “Drywood,” a solo exhibition of collaborative works by Gean Moreno and Ernesto Oroza. The show runs from February 7 to March 28, 2013. An opening reception will take place on Thursday, February 7th, from 7 to 10pm.

    As they have done in their previous research-driven projects, Moreno and Oroza begin by zeroing in on contemporary variations of an object typology — in this case, they began with the souvenir — in an effort to understand how it functions in relation to forces of contemporary production, the generation of urban morphology and identity, and the changing terrain of user engagement. With this new project, they seek to understand how generic production, embodied in the souvenir, stands as both the ultimate horizon of rationalization in object design and a generative force that increa

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    Gean Moreno & Ernesto Oroza: apelsinfärg tsunami

    Wharton + Espinosa is pleased to present “Orange Tsunami,” the first West Coast solo exhibition of collaborative works by Miami-based artists Gean Moreno and Ernesto Oroza. With an opening reception on January 17 from 5:30-8:30PM, the show runs through March 8, 2013. As part of “Orange Tsunami,” Moreno and Oroza have published Tabloid #23 (download the PDF here).

    What would happen if all the shops in a tourist location would begin to be invaded by an abstract souvenir that everyone recognized as a malefic mass? Or what would happen if someone attempted to produce a souvenir that sought less to draw an emotional link to a private experience than to liberate the forces of sidetracked emancipatory projects? What would happen if a devastating invasive species leapt into the field of souvenir production and became a sign of the place it fryst vatten devastating? – GM + EO

    As they have done in their previous research-driven project

  • gean moreno biography channel