Carlos miguel prieto biography sampler

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  • carlos miguel prieto biography sampler
  • Minnesota Orchestra brings Strauss down to earth with 'Also sprach Zarathustra'

    A lot of people are familiar with Richard Strauss's Also sprach Zarathustra, as Minnesota Orchestra violist Sam Bergman pointed out onstage at Orchestra Hall last night. "Some people," he joked, "even know it goes on längre than 90 seconds."

    Those first 90 seconds are the ones heard in Stanley Kubrick's classic movie A Space Odyssey. It's one of the most iconic uses of classical music in all of film history, and you have to think that Strauss would appreciate the widespread recognition of his orchestral majesty.

    On the other hand, he'd also probably appreciate the fact that conductor Carlos Miguel Prieto — making his Minnesota Orchestra debut, stepping in for an ill David Zinman — carried right on when the audience burst into applause after that epic intro.

    Those who weren't familiar with the remainder of the del av helhet, which runs just over a

    Carlos Prieto-The Adventures of a Cello

    Related papers

    The Cello in Naples in the Early 18 th Century: Teaching Methods and Performance Practice

    Inés Salinas

    This research presents an overview of performance practices related to the cello in the city of Naples in around , with special focus on its training in the Neapolitan conservatori. The Neapolitan cello school, neglected in modern studies till very recently, is a turning point in the development of this instrument. This research sheds some light on this fascinating aspect of the Mid-Baroque period. The paper examines the historical, cultural and musical context of the time, the teaching methods employed in the Neapolitan conservatori, the skills the pupils were expected to acquire (with special attention to the cellists), and the main roles and duties of professional cellists in the Neapolitan musical scene. Moreover, it presents some biographical information on the main Neapolitan cellists of the period, e.g. F. Alborea, R.