Faegheh atashin biography of mahatma

  • Faegheh Atashin known professionally as Googoosh; late classical and pop vocalist Ma'soumeh Dadehbala aka Hayedeh; and pop, rock and folk.
  • Born.
  • Iran's Googoosh (Faegheh Atashin) and Sri Lanka's Nanda Malini, for example, have been subjected to bans and attempts at silencing, while Pakistan's Islamic.

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    Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry 9780822385516

    Citation preview

    Mute Dreams, Blind Owls, and Dispersed Knowledges

    Mute Dreams, Blind Owls, and Dispersed Knowledges persian poesis in the

    transnational circuitry

    michael m. j. fischer Duke University Press

    Durham & London

    2004

    ∫ 2004 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion by Keystone Typesetting, Inc. Library of Congress Cataloging-inPublication Data appear on the last printed page of this book.

    Contents

    By Way of Acknowledgments: Divided Selves and Doubled Genealogies vii Prelude: I.

    After Epic, Writing, Painting, and Film 1

    Speaking After Zarathustra: Ritual, Epic, and Philosophical Forms of Reason Prologue 17 1. Yasna: Performative Ritual, Narrative Mnemonic 25 2. Shahnameh: Parable Logic 66 Coda: Illuminationism: Philosophical Alle

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    The Bloomsbury Handbook of Religion and Popular Music 9781474237338, 9781474237369, 9781474237352

    Table of contents :
    Title Page
    Copyright Page
    Contents
    List of Images
    List of Contributors
    Introduction
    The study of religion and popular music
    Methodologies
    Critical musicology and the sacred
    Part One: The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues
    Chapter 1: Ethnography, Popular Music and Religion
    Part 1: Ethnography: Origins and trajectories
    Part 2: ‘Telling it like it is’: Ethnography, popular music and everyday life
    ‘This is my truth’: One-to-one interviews
    ‘Through a different lens’: Participant and non-participant observation
    ‘Of one and many voices’: Focus groups
    ‘Across the great divide’: Insider research
    Worlds within worlds: Virtual ethnography
    A work in progress: Limitations of ethnographic research
    Chapter 2: Emotion, Meaning and Popular Music
    The social meaning of popular music
    Intertextuality and the constru

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    Iranian Pop and Rock Show at Oud Festival was nostalgic

    Maureen Nehedar is taking a trip down dear old Memory Lane and taking us along for the associated musical ride. Over the past couple of decades, forty-something Nehedar has cemented her place as one of the country’s foremost exponents of Persian classical music and while she has been at it, a sprinkling of other extracurricular projects.

    Nehedar fryst vatten part of this year’s Jerusalem International Oud Festival (November 18-27) that in its 22nd edition takes place, as always, beneath the aegis of Confederation House and its CEO-artistic director Effie Benaya. It will come as some surprise to audiences that have become accustomed to her evocative delivery of the aforesaid traditional and liturgical material. This time round Nehedar dips into her earliest formative years to feed off some of the pop and rock numbers she heard with her keen infant ears before her family made aliyah from Isfahan, Iran, when the toddler was bare

  • faegheh atashin biography of mahatma